  alekseeva-aa-vestnik-2021-3.pdf |
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- On the issue of the artistic integrity of Sergey Gorodetsky's cycle “Prison Songsˮ
- Alekseeva A.A. On the issue of the artistic integrity of Sergey Gorodetsky's cycle “Prison Songsˮ. Vestnik of Kostroma State University, 2021, vol. 27, № 3, pp. 122–127 (In Russ.). https://doi.org/10.34216/1998-0817-2021-27-3-122-127
- DOI: https://doi.org/10.34216/1998-0817-2021-27-3-122-127
- УДК: 821.161.1.09''20''
- Publish date: 2021-08-18
- Annotation: This article is devoted to the characterisation of the main signs of integration, observed in “Prison Songsˮ by Sergey Gorodetsky, the presence of which testifies to the cyclical structure of the work. The work provides a detailed analysis of the core themes of the cycle, central motifs and images. The author points out that the leading role in the formation of the principle of textual construction of artistic unity is played by antithesis, through the use of which the development of the position of the lyrical hero is most clearly traced, which becomes identical with the position of the author himself. The article concludes that the poems that make up the structure of “Prison Songsˮ do reveal common artistic bonds that support the cyclical nature of the work, as well as maintain strong artistic ties with the entire structure of the collection “Unbound Freedomˮ. These include both a common title, a single lyrical hero, close to the very figure of the author, common motifs and images, and genre characteristics of individual poems of the cycle. In addition, conceptual meanings for understanding the work as a whole are born at their junctions rather than within individual poems, which makes it possible to get closer to comprehending the author's picture of the world, embodied by the poet in the text of the cycle.
- Keywords: cyclisation, lyrical cycle, artistic integrity, Fin de siècle, Sergey Gorodetsky, “Unbound Freedom”, “Prison Songs”.
- Literature list: Gorodetskiy S.M. Stikhotvoreniya i poemy [Poems and poems]. Leningrad, Soviet writer Publ., 1974, 638 p. (In Russ.). Darvin M.N. Problema tsikla v izuchenii liriki [The problem of the cycle in the study of lyrics]. Kemerovo, Publishing house of Kemerovo State University, 1983, 104 p. (In Russ.). Loktevich Ye.V. Transformatsiya parallelizma v kontekste fenomena ideyno-sub"yektnoy pogranichnosti (na materiale sbornika S. Gorodetskogo «Dikaya volya») [Transformation of parallelism in the context of the phenomenon of ideological-subject borderline (based on the collection of S. Gorodetsky “Wild Willˮ)]. Innovative development of modern science: problems, patterns, prospects: collection of articles. articles of the X International Practical Conference, 2019, pp. 119–122. (In Russ.). Ozhegov S.I. Slovar' russkogo yazyka [Ozhegov S.I. Dictionary of the Russian language], ed. by Corresponding Member USSR Academy of Sciences N.Yu. Shvedova. Moscow, Russian language Publ., 1987, 750 p. (In Russ.). Khanzen-Love A. Russkiy simvolizm. Sistema poeticheskikh motivov. Mifopoeticheskiy simvolizm. Kosmicheskaya simvolika [Russian Symbolism. The system of poetic motives. Mythopoetic symbolism. Space symbolism]. St. Petersburg, Academic Project Publ., 2003, 814 p. (In Russ.). Shcherbakova T.V. Mifopoetika v sbornike Sergeya Gorodetskogo «Dikaya volya» [Mythopoetics in Sergei Gorodetsky's collection “Wild Willˮ]. Vestnik RUDN. Seriya: Literaturovedeniye, Zhurnalistika [Bulletin of RUDN. Series: Literary criticism, Journalism], 2013, № 2, pp. 5–13. (In Russ.).