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Maria M. Radchenko
Lomonosov Moscow State University, branch in Sevastopol
EKPHRASTIC REPRESENTATION OF EUGÈNE DELACROIX’S PAINTING “LIBERTY LEADING THE PEOPLE” IN YU.P. ANNENKOV’S SHORT STORY “A SMALL HOUSE IN THE 5TH CHRISTMAS ST.”
Radchenko M.M. Ekphrastic representation of Eugène Delacroix’s painting “Liberty Leading the People” in Yu.P. Annenkov’s short story “A Small House in the 5th Christmas St.”. Vestnik of Kostroma State University, 2020, vol. 26, № 3, pp. 171–176 (In Russ.). DOI https://doi.org/10.34216/1998-0817-2020-26-3-171-176
DOI: https://doi.org/10.34216/1998-0817-2020-26-3-171-176
УДК: 821.161.1.09”20”
Publish date: 2020-07-22
Annotation: The present article examines and proves the theory, according to which the short story “A Small House in the 5th Christmas St.” by Yu.P. Annenkov implicitly contains the elements of Eugène Delacroix’s painting “Liberty Leading the People”. The incorporation of painting’s elements into the story’s texture has become possible due to ekphrasis – an instrument Annenkov used quite often in his works. Taking into consideration the fact that there is no single approach in analyzing this “intermedial device”, two concepts of ekphrasis has been chosen as the theoretical basis for the present research – one presented by the work of V.V. Feshchenko and O.V. Koval, another one – by the article of V.V. Lepakhin. After the detailed examination of Annenkov’s short story and Delacroix’s painting it may be concluded that by two characters – Tekla Balchus and her son Stasik – the writer not only ekphrastically represented the key figures and the plot of “Liberty Leading the People”, but also intentionally distorted the initial visual image in order to demonstrate in the verbal form of the story his own disillusionment with the ideas of the revolution.
Keywords: Yury Annenkov, “People and Portraits”, Ye. Zamyatin, theory of synthetism, synthesis of arts, Eugène Delacroix, “Liberty Leading the People”, ekphrasis, intermediality, ekphrastic representation.
Literature list: Annenkov Yu.P. (Temiryazev B.). Domik na 5-oy Rozhdestvenskoy [A Small House in the 5th Christmas St.]. Sovremennyie zapiski [Contemporary notes]. Paris, 1928, № 37, pp. 196–223. (In Russ.) Annenkov Yu.P. Dnevnik moikh vstrech: Tsykl tragedy: v 2 t. [People and Portraits: A Tragic Cycle: in 2 vols.]. Leningrad, Iskusstvo, 1991, vol. 2, 303 p. (In Russ.) Danilevsky A.A. “Domik na 5-oy Rozhdestvenskoy” Yu.P. Annenkova i “Peterburgskiy text Russkoy literatury” [“A Small House in the 5th Christmas St.” by Annenkov Yu.P. and “The Petersburg text of Russian Literature”]. Russkaya emigratsya: Literatura. Istoriya. Kinoletopis’: materialy mezhdunarodnoy konferencii [The Russian emigration: Literature. History. Film chronicle: materials of the International conference]; Tallinn, September 12–14, 2002. Jerusalem, Gerashim, 2004, pp. 44–69. (In Russ.) Zamyatin Ye.I. My: Roman, povesti, rasskazy, p’esy, stat’i i vospominaniya [We: Novel, short novels, short stories, plays, articles and memoirs]. Kishinev, Literatura Artistică, 1989, 640 p. (In Russ.) Esin A.B. Principy i priyomy analiza literaturnogo proizvedeniya [Principles and methods of analyzing a literary work]. Moscow, Flinta, 2007, 248 p. (In Russ.) Lepakhin V.V. Ekphrasis v russkoy literature: opyt klassifikacii [Ekphrasis in Russian literature: classification experience]. Visualisatsya literatury [Visualization of Literature]. Belgrad, 2012, pp. 7–31. (In Russ.) Obuchova-Zelin’skaya I.V. K.I. Chukovsky i Y.P. Annenkov: “Nesmotrya na razluchayuscheye nas rasstoyaniye i na istekshiye gody…”: Iz arkhivnykh sokrovisch [K.I. Chukovsky and Y.P. Annenkov: “Despite the distance tearing us apart and the years passed…”: From the archival treasures]. Moscow, MIK, 2017, 144 p. (In Russ.) Obuchova-Zelin’skaya I.V. Yuri Annenkov. Portrety skvoz’ vremya [Yury Annenkov. Portraits through time]. Moscow, Museum of Russian Impressionism: “Kuchkovo Pole” Publishing House, 2020, 560 p. (In Russ.) Radchenko M.M. “Dnevnik moikh vstrech” Yu.P. Annenokova: problema zhanrovogo sinteza [“People and Portraits” by Yu.P. Annenkov: the problem of genre synthesis: dissertation]. Moscow, 2017, 148 p. (In Russ.) Trotsky L.D. Istoriya russkoy revolutsii: v 2 t. [The History of the Russian Revolution: in 2 vols.]. Moscow, TERRA, Respublica, 1997, vol. 1: The February Revolution, 464 p. (In Russ.) Feshchenko V.V., Koval O.V. Sotvoreniye znaka: Ocherki o lingvoestetike i semiotike iskusstva [Semiopoiesis: Essays in Linguistic Aesthetics and Semiotics of Art]. Moscow, LRC Publishing House, 2014, 640 p. (In Russ.) Khoroshilova O.A. Moda I genii: Kostyumnyje biografii Leonardo da Vinci, Kateriny II, Oskara Uailda, Petra Tchaikovskogo, Yuria Annenkova and Mayi Plisetskoy [Fashion and Geniuses: costume biographies of Leonardo da Vinci, Catherine the Great, Oscar Wilde, Peter Tchaikovsky, George Annenkov and Maya Plisetskaya]. Moscow, Mann, Ivanov and Ferber, 2020, 384 p. (In Russ.) Yury Annenkov. Revolutsia za dver’yu: Katalog vystavki [Yury Annenkov. Revolution behind the door: Exhibition catalogue]. Moscow, Museum of Russian Impressionism, 2020, 224 p. (In Russ.)
Author's info: Maria M. Radchenko, ORCID https://orcid.org/0000-0002-5838-1323, Candidate of Philological Sciences, senior lecturer, the Department of the Russian language and literature, Lomonosov Moscow State University, branch in Sevastopol, Crimea, Russia E-mail: marmihradchenko@gmail.com